Jul 15, 2013
One year into The Cinephiliacs, Peter brings in a critic that he's read for almost a decade now: A.O. Scott of the New York Times. Tony joins Peter for a traveled conversation about his entry into cinephilia at the repertory houses of Paris and Cambridge, his thoughts on the craft of writing, and how to think about films in the context of their audiences. Tony also explains how he comes up with those "trend" pieces, the phenomenon of "critic proof" movies and why they matter, and the patterns and differences between recent American literature and film. Finally, the two discuss Robert Altman's The Player, which continues to be the only contemporary successful satire of Hollywood, perhaps because it so closely plays the line between satire and seduction.
1:35-7:02 Establishing Shots -Montage of The Cinephiliacs: Year 1
7:17-9:13 Trivia Round
9:56-1:17:22 Deep Focus - A.O. Scott
1:18:59-1:40:53 Double Exposure - The Player (Robert Altman)
1:40:55-1:43:30 Close / Outtake - On The King of Comedy