Jun 30, 2014
In a continent dominated by American cinema, it can be easy to forget how essential Toronto is for cinephilia: home of the famed film festival, base of the idiosyncratic magazine Cinema Scope, and the city where critic Adam Nayman has been writing and teaching. Nayman's latest writing opus is It Doesn't Suck, a fantastic book tracing the evolution of Paul Verhoeven's Showgirls from bomb to camp to cult to classic. Peter sits down with Adam to discuss the book, as well as his work for publications like Scope and Reverse Shot, his view of Canadian cinema, and much more. Finally, the two examine the first film from Mia Hansen-Love, All Is Forgiven, and how a film with seemingly little ambition can contain a great depth of feeling.
2:13-7:40 Establishing Shots - Blind Detective / Donations and Reviews
8:25-59:00 Deep Focus - Adam Nayman
59:44-1:09:09 It Doesn't Suck
1:21:24-1:41:35 Double Exposure - All Is Forgiven (Mia Hansen-Love)
1:41:42-1:43:32 Close / Outtake