Jan 26, 2015
When cinephiles think of international cinema today, there's a good chance they conjur up images of peasants walking through nature for an uninterrupted 10 (or 20!) minutes while trees rustle in the wind. The films of Argentinian director Matias Pineiro couldn't be further from that image, and are also an absolute delight: beautiful young adults mixed in love triangles through Buenos Aires, reciting history and Shakespeare all while constantly changing their identities (and all under 75 minutes!). His films—The Stolen Man, They All Life, Rosalinda, Viola, and now The Princess of France—represent some of the most exciting and unique contemporary filmmaking today. So Peter sat Matias down to investigate his upbringing in Bueno Aires, his adaptation process when working with great texts of literature, and how he integrates realism into his work to find fantastical elements. Finally, they discuss Jacques Rivette's B-movie homage, Duelle, a masterclass of documentary and the magical, and a film with a surprising connection to Argentina's cinematic history.
4:02-9:34 Establishing Shots - Michael Mann's Blackhat
10:18-1:13:23 Deep Focus - Matias Pineiro
1:14:25-1:15:48 Mubi Sponsorship - Around A Small Mountain
1:16:58-1:36:32 Double Exposure - Duelle (Jacques Rivette)
1:36:35-1:38:27 Close / Outtakes