May 4, 2015
From the ghostly fog of Vertigo to the vigilante ethos of Dirty Harry to the geometric paranoia of Zodiac, San Francisco has been a curious site for the movies. It's also an amazing land for cinephilia, and Brian Darr, a writer, programmer, and curator of the blog Hell on Frisco Bay, has made it his mission to trace how cinephilia continues to thrive through the city's repertory, experimental cinemas, and beyond. Brian traces his cinephilia from middle America to Thailand and back to San Francisco, slowly expanding his canon along the way. From there, the two discuss the way the city grew as an alternative to Hollywood, its use for both commercial and art filmmakers, and how the city grew such a reputation for celebrating the cinema of yesteryear. Finally, Brian brings in beat poet Christopher Maclaine's 1953 film The End, which presents both an apocalyptic discourse of living at the end of days, but also presents new ways of thinking and watching cinema.
3:02-51:32 Deep Focus -Brian Darr
52:40-54:56 Mubi Sponsorship - Blondes in the Jungle and Once Upon A Time in Anatolia
56:33 -1:15:10 Double Exposure - The End (Christopher MacLaine)