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The Cinephiliacs


Aug 3, 2015

So often we spend our time thinking about what we see in movies, that it can be easy to forget that cinema is experienced through time, and that experience depends on a tempo. Professor Lea Jacobs at the University of Wisconsin, Madison, has been curious about how rhythm creates film, and her new book, Film Rhythm After Sound, attempts to answer what it meant for movies to not just take on sound in the 1930s, but work through new types of interactions between shots, gestures, edits, sounds, speeds, and more. Jacobs also discusses her work on theatrical stage acting in the 1910s, understanding the Production Code as an industry as opposed to just a censor board, and the importance of historical research as part of Madison's legendary film department. Finally, the two dive into Howard Hawks's masterpiece, Only Angels Have Wings, and theorize a relationship between the film's rhythmic patterns and its unique relationship to sentiment.

0:00-2:19 Opening
2:58-8:31 Establishing Shots - Bojack Horseman, Season 2
9:16-1:02:36 Deep Focus - Lea Jacobs
1:03:16-1:05:31 Mubi Sponsorship
1:06:45-1:20:14 Double Exposure - Only Angels Have Wings (Howard Hawks)
1:20:19-1:21:57 Close