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The Cinephiliacs


Jun 13, 2016

Amazing on location photography in harsh environments...progressive films about controversial political women...groundbreaking special effects that dazzle with a flurry of colors. These films might sound like what showed up at the Oscars last year, but they were all made during the silent era. In his second trip to San Francisco's epic weekend of gems of the first decades of cinema, Peter once again finds himself in awe of the talent on display: whether it be the work of the archivists in discovering and restoring these prints, the cornucopia of musicians providing unique accompaniment, or the grand scale of the Castro Theatre itself. Silent Film devotee Victor Morton once again joins Peter as they tackle films from five countries with hobos, pie fights, cross-dressing, and split screens (take that, Brian De Palma!)

0:00-2:25 Opening
2:25-15:40 Varieté (E.A. Dupont, Germany, 1925)
16:14-25:38 Beggars of Life (William Wellman, USA, 1927)
26:05-37:20 The Battle of the Century (Clyde Brukman, USA, 1927)
38:06-41:42 Sponsorship Section
42:50-52:15 Restoring Napoleón with the Cinémathèque Française
53:17-1:03:42 I Don't Want To Be A Man (Ernst Lubitsch, Germnay, 1928)
1:05:06-1:15:43 The Strongest (Axel Lindblom and Alf Sjöberg, Sweeden, 1929)
1:16:19-1:28:36 Two Timid Souls (René Clair, France, 1928)
1:28:41-1:30:19 Close