Mon, 25 February 2013
Dan Sallitt is someone Peter considers a cinephile par excellence. A thoughtful auteurist, an idiosyncratic and insightful writer, a dedicated repertory cinema viewer, and a truly accomplished filmmaker, Dan exemplifies everything you'd want in both the classical and new forms of cinephilia. So on the eve of the theatrical run of his latest film, The Unspeakable Act, Peter sits down with Dan to trace his cinephile life. Dan discusses his first encounter with Howard Hawks, his stint at the LA Reader, and his various connections to Bazinian theory in film. The two then have an extended conversation on Dan's three films and how he uses cinema to explore some truly unique subjects. Finally, they dive into Alan Clarke's Christine, a film as brutal as any work of social realism, yet abstracted to a point of pure beauty.
0:00-3:58 Opening / Trivia Round
Mon, 11 February 2013
It is a little odd how similar Peter and his guest C. Mason Wells are in certain ways. Both are New York cinephiles from the Midwest who are also passionate fans of Andrew Sarris Both went to Columbia University (and both participated in one of its oldest traditions), and now both are 35mm repertory junkies. However, Chris diverges in that often he's the one programming the great content, while Peter simply writes about it. Chris takes Peter through his journey of becoming a cinephile, including his work making films like LOL and The Color Wheel, and eventually how he found himself programming. The two give a look at his latest series, "Andrew Sarris: Expressive Esoterica," dedicated to the late critic, before diving into Chris's favorite film of all time, Kenji Mizoguchi's powerful 1939 drama, The Story of the Last Chrysanthemums.
0:00-1:18 Opening 2:08-4:57
Direct download: The_Cinephiliacs_13_-_C._Mason_Wells_The_Story_of_the_Last_Chrysanthemums.mp3
Category:general -- posted at: 12:30am EDT