Mon, 25 April 2016
Baltimore rarely gets a mention on the list of great film cities, but in the 1970s, six different theatres all played Robert Downey's Putney Swope. That's just some of the historical digging Eric Allen Hatch has done, who now continues the legacy by programming the Maryland Film Festival, which has quickly risen the ranks to become one of the most essential micro-film festivals in the nation. In his talk with Peter, Eric discusses his initial entry into classical Hollywood and art cinema, and his desire to keep Baltimore as a place for off-beat culture that appeals across spectrums, as well as his strange obsession with photoshopping Paul Blart into canonical classics. Afterwards, the two talk about the Isabelle Adjani-starrer Possession, perhaps the psychological horror film. Who knew that a film that features a bloody space monster could speak so well to their romantic relationships?
Direct download: The_Cinephiliacs_78_-_Eric_Allen_Hatch_Possession.mp3
Category:general -- posted at: 12:05am EDT
Mon, 11 April 2016
Eric Hynes may not want to be boxed in for his work on documentaries, but it seems more and more to be where his interests as a writer for Reverse Shot and Film Comment alongside programming duties at the Museum of the Moving Image have taken him. But Eric is so much more, and has become one of the most valued writers of criticism and beyond—someone who shows passion and acute judgement within his sentences without ever condescending nor falling into cliché. In his interview with Peter, Eric traces his way into writing through music criticism and books, his decade-long tenure at one of the most important institutions in online film writing, and a continuing love of Star Wars. Then, the two turn to a truly forgotten gem of 90s cinema: Bill Murray and Howard Franklin's Quick Change, perhaps the last film to show New York City when it was truly the worst, in the best way possible.