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The Cinephiliacs

Sep 19, 2016

In our growing and expanding media moment, cinephiles are recognizing more and more that only watching theatrically released feature films limits one's cinematic worldview. Whether it be amateur home movies, the avant-garde, or even instructional demonstrations, these films can both inspire a new way to look at art and...


Aug 29, 2016

Criticism is often described as an act of interpretation—explaining how or why a film works. But the act of cinema at its most basic level is an experience of image, sound, bodies, gestures, materiality, and everything in between. Stanford Professor Scott Bukatman has explored that experiential level of art in all of...


Aug 15, 2016

While this show has often staked its interest in the kinds of audiovisual materials we come to praise as art, there are many different types of moving image materials out there. None feels more pertinent to our moment today than the discussions around the introduction of police body-worn cameras alongside the...


Jul 25, 2016

How does one reconcile the ideas of artistry in cinema, the kind of magic of cinephilia that we see each time we look up at the screen, with the business practices that often painted as limiting it? James Schamus has somehow made a career of toeing this (likely constructed) dichotomy, helping produce some of the...


Jul 11, 2016

Abbas Kiarostami, born in 1940 in Tehran, turned to filmmaking in 1970 when he helped set up the Institute for Intellectual Development of Children and Young Adults. He had made a half dozen shorts and one feature, The Report in 1977, before the Iranian Revolution changed the public face of his country. While many...