Aug 29, 2016
Criticism is often described as an act of interpretation—explaining how or why a film works. But the act of cinema at its most basic level is an experience of image, sound, bodies, gestures, materiality, and everything in between. Stanford Professor Scott Bukatman has explored that experiential level of art in all of its forms from high to low. Scott and Peter cross boundaries of genre and time to discuss post-modern science fiction and its most abstract moments, performative bodies that explained our new technological moment, and even gravitational expectations in the new digital landscape. They also discuss cinema's closest (and often problematic) cousin, the comic book, alongside Scott's new exploration of Hellboy and how the act of reading itself can (and should) be reconsidered in the act of discussing a text. Finally, the two dive deep on Vincent Minnelli's Some Came Running, and truly ask what is it that makes a performance, especially in a melodrama in which the art of acting is key to everything.
5:13-11:16 Establishing Shots — Digital Restorations at The Academy
12:00-1:06:48 Deep Focus — Scott Bukatman
1:07:21-1:11:32 Sponsorship Section
1:10:59-1:32:14 Double Exposure — Some Came Running (Vincente Minnelli)
1:32:18-1:33:56 Close / Outtake