Apr 3, 2020
Nothing is more frustrating in our streaming era than turning on any specific app and suddenly staring hundreds of movie posters with only an algorithm trying to decide what you might like (especially if such product is actually made by the company to help its margins). But what if there was a streaming site that only offered a single movie a week, and maybe not even a feature but a short or medium-length feature? And what if it had circulated ultra-rare films by Claire Denis, Hong Sang-Soo, Matias Piñeiro, Jonas Mekas, and fascinating filmmakers you had never heard of? That's the promise Marie-Louise Khondji has brought to her site Le Cinéma Club. Marie sits down to talk about growing up with her father (the cinematographer Darius) and how she moved into management through distribution and production before starting a site to help filmmakers showcase work that needed an outlet and created to be accessible for all. Finally, the two talk about the wonderful Jonathan Glazer film Birth, and how it seems to capture a certain timeless stasis of its upper elite New York culture.
7:40-11:32 OVID.TV Sponsorship
12:17–45:51 Deep Focus — Marie-Louise Khondji
46:40–51:15 MUBI Sponsorship Section
52:31–1:03:47 Double Exposure — Birth (Jonathan Glazer)